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With a little bit of delay because I didn't feel up to it three weeks ago, here's this years Ask The Maker activity!

Ask The Maker is where you can ask your favorite makers about how they do that thing. You can ask for tutorials, guides/"How to", or ask any other questions related to their work. Check out the Maker thread (below) for makers who have signed up and are ready to answer your questions.

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Maker thread

Questions thread


This activity will run to mid-July, maybe the end of July, depending on how many requests there are.

If you want to work on a challenge while Ask the Maker is running, you can find currently open challenges in our sticky post. And our previous activity, Technique Waterfall, is also still open until the end of Ask the Maker.

Tout Va Bien - English title: Everything Is Fine

It's a French 8-episode drama about a family whose child has leukemia - basically it's a study on how people deal with grief.

This show is amazingly well-written. I read a few interviews and it turns out that screen-writer and producer Camille de Castelnau's niece had leukemia, and that explains the incredible realism both concerning hospital routine and emotions.

It stars Virginie Efira, Sara Girardeau, and Nicole Garcia. (And Mehdi Nebbou.)

What I personally loved about it is how calmly everything flows. The situation itself is so horrible, there's no need for added dramatics. The hospital routine, the facts, the medical details, it all speaks for itself. You can clearly see the cracks appearing in all the characters, but there's barely any shouting, there are barely any tears except for characters crying quietly when they're alone, there are no major fights. Everyone is high-strung and weighed down to their breaking point, but it's never exploited for shock value.


Is this a rec? Yes! Although there's one major thing I did not like.

Does it have a happy ending:

ending spoilers

I'm double-spoiler-cutting this. Unfortunately, yes. The show sets up this extremely painful and realistic family drama about a child dying, and then the child does not die at the end. This annoyed me very very much, because they completely robbed us of that well-earned katharsis of how life could have continued after Rose's death. Fuck Disney. Ymmv.

Where can I watch it? It's on hulu and Disney+.

non-spoilery character screencaps

Rose in the hospital, getting her blood transplant


Marion and Stephane - Rose's parents, struggling to cope


Claire, Marion's sister and Rose's aunt, with her boyfriend Antonio


Antonio's ex-wife with their daughter Lou, about whom she's fighting a custody battle


Vincent - Rose's uncle (the youngesst of the three children) and steward for an airline


Vincent hates hospitals, but can't turn down the requests for his help


Anne, Rose's grandmother and famous author, always working, and her husband Pascal


Louis, Marion's secret affair - yes that is Mehdi Nebbou and I watched the whole thing for him


the hospital psychologist, one of my favorite characters, she gives the best advice

my comments (also non-spoilery)

* What makes this series so brilliant is that each character deals with the situation in their own way, and I found it realistic that even within one family, the approaches of every person would be different.

* Rose herself, despite being a young girl, is shown in a way that I could empathize with. She's not the unfortunate carrier that causes all the problems but is herself unaffected. She's afraid but cautiously optimistic, sometimes dead tired, sometimes annoying, sometimes happy. All very normal, I thought.

* The mother, Marion, strikes up an anonymous (mostly sexual) relationship with a man she meets in the parking lot of the hospital, just to get away from everything for a little while.

* The uncle, Vincent, has a phobia of hospitals and the whole situation gives him panic attacks. His life as a steward for an airline - complete with "a girl in every port" - slowly falls apart. He's probably the most cruelly affected by the story. <3

* The younger sister, Leonie, is acting up because her parents are focused mostly on her dying sister - and because she's losing her sister, of course.

* The father, Stephane, is probably the single underdeveloped character in the show. He only gets a few scenes with his wife and daughter, and one scene at work, and that's it. The women are by far better developd (and I can't say I minded).

* The grandmother, Anne, is a famous author of self-help books and tries to push her "helpful" attitude on everyone around her, including Rose.

* The aunt, Claire, tries to deal with the tragedy by taking on as many tasks as she can, to help in any way she can, neglecting everyone else in favor of Rose (and her sister Marion).

* Plus, a lot of the characters are grieving about more than one thing:

** Anne is confronted with the fact that her editor and long-time lover has been sexually abusing other clients of his and his image and company are imploding.

** Claire is dealing with the custody battle for her boyfriend Antonio's daughter, and struggling with her inability to connect with that girl, Lou. Lou herself also acts out sometimes due to the conflict between her divorced parents.

** The ex-wife of Antonio is mourning her failed relationship and tries to sabotage his new happiness in every way she can.

** The grandfather, Pascal, is mourning his own relationship (his wife cheating on him with her editor for years) and getting older and not being needed by anyone.

* All of this is marvellously interwoven and sometimes it's like watching a train-wreck in slow motion. Nobody knows how the cancer will progress/react, and everyone is caught in their own bubble, unable to escape.

* A minor nitpick is that some of the supporting characters are a little 'too supportive'. Louis, Marion's secret lover, doesn't seem to have his own goals and seemingly just exists to support Marion. Antonio, Claire's boyfriend, has an endless amount of patience for both Claire and his ex-wife. Alice, one of Vincent's girlfriends, becomes part of the family and gives him far more love than their casual relationship warrants.

* I personally loved the hospital psychologist - a family therapist who gets to say a lot of the best lines.

* In general, there are quite a few amazing lines of dialogue. Like when the grandmother says (about herself) "it's so hard to watch your daughter suffer and not being able to help" - like, no shit, Anne, you selfish ass! Or when Louis says "the palliative care unit is no place for clowns" and Marion answers, "it's no place for children." Or the editor, explaining to Anne why he never assaulted her, "because I never needed to." Or when Marion says to her husband that "without her hair, she looks even more like you." There are so many good lines of dialogue in this, those are just the ones that I remember off the top of my head.

* Last but not least, I would never have watched this if Mehdi Nebbou wasn't in it. He has a much bigger role than I'd expected - probably the biggest non-family-member role in the show - and it was very very much worth watching it for him. But I ended up loving the show for its amazing writing, and I can absolutely rec it on its own merits, Mehdi or no.

Here are the icons that I made in February - May
Made them for various challenges. :)

WOW, 65 icons!! :)

Here are some of my favorites:
    
    
    

Comments are ♥
Enjoy! :)

( see all 65 icons here.... )

Movies

Not much... I saw a documentary called Ice Grave at the theater, at a festival. It's (another) version of the famous Swedish North Pole expedition in a hydrogen balloon in 1897. I can't honestly recommend it, but it was well done and pretty immersive, put together mostly from the photographs taken by one of the three expedition members. It has an absolutely beautiful saxophone score by Bendik Giske, who was there at the showing, and explained that he recorded it in one go, as one long piece through the whole movie. O_O His style is unique, here's a concert of his: https://www.youtube.com/watch?v=6OQfk5HUN-Q. I couldn't find any more information on it online anywhere, and the version we saw looked kind of unfinished. I don't think it has an international release yet.

TV ongoing

HPI season 5!!!! This fandom is my whole world at the moment and I'm loving it. I've made a French friend with whom to talk about it, and I've managed to rope two friends into the show, and both are on their way through season one and love it so far. \o/

The first three episodes aired in May. My new friend and I agreed to follow the weekly French airing schedule instead of watching all four episodes at once, to really be able to dig into each episode separately. So I've seen the first three and they are brilliant! Half of it is excitement about a new season - premieres tend to do that to me - and half of it is that the end of the first episode is just so very good omg. I'm very happy that I have the means to watch it at all and don't have to wait for months for a German release. (It will be on Disney+ in June, so that's something.) My rewatch is now in season 4, and I suspect if we want to keep going with that, I will have to translate the subs myself. At least I've found French subs by now, so it's less work than it could have been. The first episode was quite a trial for me, watching it without any subs at all. I think I watched it at least five times, and there were still scenes where I didn't get everything.

I had the crazy idea to make a comm for it (hpi_tv) and posted all my icons to it so far. I'm thinking of adding ep discussion posts, and articles/photos, but haven't gotten there yet.

I finished The Pitt in one big rush. Phew! So good! I still maintain that the one-day format detracts from my enjoyment of character development, but they did a really good job letting us get to know the characters despite that restriction. I liked all of them in the end, even Langdon. I think my faves were the abrasive women, Santos and McKay. I was happy (not happy) to have predicted what was going to happen in the evening eps, as I'm usually not good at picking up on foreshadowing. I blame it on them being very very obvious. :D I quickly scanned the fic that's there about the show, but nothing snagged me so I've basically put the show behind me. It was good.

Doctor Odyssey finished airing, and the thing I had been afraid of happening did happen, so I'm likely out of there. I don't think they'll get a second season anyway, but... yeah. I might change my mind by September, but I am pretty miffed at where they took it in the end. It was very good in the middle there. The fandom suspects network interference, which probably explains the lack of a renewal. Moving on.

Having been ill for a bit this month, I opted for watching something random and landed on Remington Steele. Oh my, it only holds up part of the time. It's quite funny in places, but a lot of the jokes are more misogynistic than they should be, considering the premise of the show, and Pierce Brosnan's acting is still cringe. (I love him anyway.)

TV new

Murderbot! I watched the first ep, and then started rereading the novella, because I'd forgotten most of it. I finished that (and two more novellas) before I continued with episodes 2 and 3. Definitely a good decision, because I can now relatively confidently tell what follows the book and what they changed. Fwiw, I don't like the fact that murderbot sounds and looks so decidedly male, but I liked it despite that. It's really well done, great visuals, fun book-accurate narration. I think all of it is really close to the book, except for some sex/romance/pining that wasn't in the book. Which confuses me, because Murderbot explicitly says it doesn't care for sex, so why did they think they had to add that? To annoy Murderbot (and its fans) more? I guess it's a valid trade-off between the existing Murderbot fans (who are going to watch it anyway, lets not kid ourselves) and trying to attract new fans by adding more sex. Anyway, that's a minor complaint. I like it so far.

I tried two eps of Etoile, and while I adore the pervasive bilingualism - every character speaks both English and French and some of them codeswitch wonderfully - I actually don't like a single one of the characters. Some of them actively annoy me to a point I never want to see them again. A pity.

Through the whole "where do I get HPI from" stress, I've found more French tv streaming sites and got my hands on more Mehdi Nebbou things:

Another Mehdi Nebbou thing! Tout Va Bien (2023) (English title "Everything is Fine"). It's a French drama about a family whose child has leukemia - basically it's a study on how people deal with grief. I'd originally intended to watch this over the summer, but then it sucked me in and I watched all eight eps this week. (I knew if I stopped, I wouldn't finish it, because the subject matter is so dark.) I only watched this because Mehdi Nebbou is in it (and he's cute and dead sexy in it so totally worth all the tears), and I liked 90% of it very much and have many thoughts about it, so I'll write up a review. It's on hulu.

Aaaaand another Mehdi Nebbou thing! Mann|Frau, a German 2014 webseries of 40 5-minute eps. The title implies that it's about differences between men and women, but that's not at all it. It's just a cute, quirky, slice-of-life, growing-up thing told from two povs, where the protagonists turn into a group of friends/lovers. By the end, I very much loved all the main characters. I never noticed that none of them have names, until I watched an interview with producer Christian Ulmen at the end. :D There's lots of casual drinking and casual drug use (not my thing), and lots of sex and funny dialogue and surprise polyamory (very much my thing!). It's a quick watch, I recommend it. Youtube playlist here (only German, no subs).